Well, it's the larger issue. They spin a yarn about how the old EU was never canon, which is fine if people like Ms. Kennedy want to say that. For the simple reason she was not familiar with the lore. The long-time workers such as Mr. Hidalgo saying that, though, when there's quotes of him referring to people in the EU as past and treating it that way, does not hold up. As to what they put into the canon, well, it wouldn't be such a huge issue if this existed at the expense of the older continuity. So that it is supplanting it. That is probably where you get accusations that they are SJWs. Like gender-swapping and race-lifting. Seriously, RO is the Death Star novel meets the Dark Forces books. Is it fun? Sure! But it's also replacing the male lead, Kyle Katarn, with a girl. And when they openly boast about that stuff, you can't help but notice. Probably where the trolls make genuine criticism hard, since they drown it out.Mecha82 wrote: ↑Wed Apr 22, 2020 4:24 pmYeah, I don't see issue in what you call "creative theft". I guess it's becaue I have been liking how they have been using those elements from old EU. Funny that you mentioned those authors because only one from those who I remember is Kevin J. Anderson and I don't like his work. Like at all. Yes, that's how much I hate Dark Apprentice. I can only assume that others wrote so forgetable stories that they names didn't stick to my mind.Captain Crimson wrote: ↑Wed Apr 22, 2020 3:27 pm Maybe you would care more if you saw it as I did? It's creative theft. Not legal theft, mind you, since they own the IP. They can strip it down for parts all they want to. But at the end of the day, it is also diminishing and cheapening a lot of art. Art that was made tailored to a singular vision, and not only what was merely popular and sells well either. You also strike me as if you didn't explore much past a few EU novels. I love plenty many more than those you listed. Matt Stover, Drew Karpyshyn, Kevin J. Anderson, Jude Watson, James Luceno, etc... and I could name many more.
I just wish they could keep calling the EU what it was, "canon for its time." And continue work on it. Even Mr. Hidalgo had said if you were going to reboot it, that occasionally you could return to it. But they do not even do that. Despite obvious fan demand, and thousands of dollars raised. No, it doesn't have to be anything huge or special, but TOR updates and one single comic released in six years is too little for too many people. It would ease a lot of fan anxieties if they were to say they need to catch up on the EU, and let the new authors have a crack at it alongside the older ones. They said wait until the movies were done, which was a polite brush-off, I think, since they intended for it to continue for years. Now I loved #108. I think in terms of continuity, it was greatly handled. They could easily keep doing the same thing. I don't get why they don't.
I think LF was handed over to people who had no idea to the sheer depth and density of the lore, and it felt overwhelming. So discontinuing it and throwing in easter eggs makes sense in a cruel corporate way. But at the same time, stuff they say doesn't help their case and what they tell fans. Ms. Kennedy says they want their own creative liberties. But then with how much they've taken from the EU, why didn't they keep it around to fill in the gaps? It would have done a splendid job. So why isn't it getting continued? I think for a simple reason. They really ARE unoriginal. Or perhaps lazy. What other SF do you like? You could construct so much possibilities from all you know about it. But the less you know, how effective do you would be if you were brought on and had certain marks to hit, that really hindered your creative process? I think that's what we're seeing play out, and that only people with a certain political mindset are allowed to work there so they can't be accused of being racist and sexist and what have you. Everything Ms. Kennedy says to their version of SW, in contrast to the EU, strikes me as psychological projection. Mr. Lucas's management was the one to usher in true creative freedom, not hers, and everything they wish theirs to be.
Well, you know what, while I can't speak to the other experiences you've had, I sense that you gave up sometime around the mid-nineties. And he was far from the only writer. For me personally, I think the EU hit its strongest peak in terms of storytelling, art, vision, and continuity from the late nineties to the mid aughts. The Darth Bane trilogy is well-regarded, and it's something one of the authors for the High Republic project is now looking to for inspiration, reportedly. So I would like to give you a few passages from two of those books.
Darth Bane: Path of Destruction
Darth Bane: Rule of TwoDessel was lost in the suffering of his job, barely even aware of his surroundings. His arms ached from the endless pounding of the hydraulic jack. Small bits of rock skipped off the cavern wall as he bored through, ricocheting off his protective goggles and stinging his exposed face and hands. Clouds of atomized dust filled the air, obscuring his vision, and the screeching whine of the jack filled the cavern, drowning out all other sounds as it burrowed centimeter by agonizing centimeter into the thick vein of cortosis woven into the rock before him.
Impervious to both heat and energy, cortosis was prized in the construction of armor and shielding by both commercial and military interests, especially with the galaxy at war. Highly resistant to blaster bolts, cortosis alloys supposedly could withstand even the blade of a lightsaber. Unfortunately, the very properties that made it so valuable also made it extremely difficult to mine. Plasma torches were virtually useless; it would take days to burn away even a small section of cortosis-laced rock. The only effective way to mine it was through the brute force of hydraulic jacks pounding relentlessly away at a vein, chipping the cortosis free bit by bit.
Cortosis was one of the hardest materials in the galaxy. The force of the pounding quickly wore down the head of a jack, blunting it until it became almost useless. The dust clogged the hydraulic pistons, making them jam. Mining cortosis was hard on the equipment . . . and even harder on the miners.
Des had been hammering away for nearly six standard hours. The jack weighed more than thirty kilos, and the strain of keeping it raised and pressed against the rock face was taking its toll. His arms were trembling from the exertion. His lungs were gasping for air and choking on the clouds of fine mineral dust thrown up from the jack's head. Even his teeth hurt: the rattling vibration felt as if it were shaking them loose from his gums.
I mean, I hardly consider this forgettable. We should be able to have two continuities, not one that is supplanting the other, existing at the expense of the other one. For all their talk of being these huge Legends fans and that putting the references into their new canon is honoring it, it rings very hollow. This is coming from people who don't understand the lore they say they do. The same way they claim to be honoring Mr. Lucas, when we KNOW for a fact they'd rejected his story treatments, and possibly again during TROS production. And if they were following his vision, Ahsoka would be dead. That is a fine and dandy approach to take, really! I think many of us have a complicated love-hate relationship with George Lucas. If they felt they could do better why don't they say that? Stack that alongside the EU policies, and I sincerely hope you can see where I am coming from here. I don't think that they are honoring Mr. Lucas or the EU. And I want them to be more honest.Darth Bane felt them long before he saw them.
Those ignorant in the ways of the Force saw it as only a weapon or tool: It could strike out against a foe in battle; it could levitate nearby objects and draw them into a waiting palm or fling them across a room. But these were mere wizard’s tricks to one who understood its true power and potential.
The Force was a part of all living things, and all living things were a part of the Force. It flowed through every being, every animal and creature, every tree and plant. The fundamental energies of life and death coursed through it, causing ripples in the very fabric of existence.
Even distracted by the agonizing flashes of the blades slicing apart the inside of his skull, Bane was sensitive to these ripples. They gave him an awareness that transcended space and even time, granting him brief glimpses into the always shifting possibilities of the future. That was how, still two kilometers and several minutes away from where Kaan and his army had made their camp, he knew others were already there.
There were eight in total, all human—six men and two women. Mercenaries who had signed on with the Brotherhood for credits and a chance to strike at the hated Republic, they had survived the final battle with Hoth’s troops. They had most likely fled the confrontation the instant Kaan had descended into the bowels of the planet’s surface to lay his trap for the Jedi, displaying the loyalty of all followers bought and paid for. And now, like blood beetles picking the rotting meat off a bantha’s corpse, they had come to scavenge whatever remnants of value they could find from the deserted Sith camp.