Your position is begging the question. "This did happen, therefore there is no conflict with what we know."Durandal_1707 wrote: And don't even get me started on that other "Roman Empire" prequel series that kept pulling all kinds of enemies out of its ass—"Huns", "Carthaginians", "Visigoths"—why didn't any of them ever show up before?
Except they didn't have to write it that way. It is fiction and there is no reason to create something totally knew and different if the concrete of the series is to show a fresh perspective on what we already know about the series.
The reason I say that prequels are pointless is that they are. They do not advance the story, they just provide context. They answer questions and close gaps in the audiences understanding of the material, and to me that makes the story less interesting. It is fun to me when I do not know all about a character and see aspects of them revealed and explored as a story advances and allow my own imagination to fill in whatever blank spaces that happen to appear.
"But how does she know how to fly a ship? That is not realistic."
"Based on the 5 minutes of screen time she has been in you are already claiming she couldn't know how to fly a ship? The answer is, 'doesn't matter'."
I do not care how the Rebels got the Death Star Plans.
I don't care what the Clone Wars were.
I don't care about Indiana Jones fighting in World War I.
And I have to echo that "Temple of Doom" is a bad example because and I will put money on this, nobody knew it was a prequel or gave a shit, nobody felt that movie was informing you of some unknown previous detail about the character or lore. It is a stand alone adventure that could be watched without ever seeing the other movies. Same with "Ark" and "Crusade". There job isn't to answer questions, there job is to tell a story.
Even your Godfather example kind of misses the mark because it wasn't informing us what happened, it was contrasting the two characters' experiences against one another. Like how Indy tried to tell his father about the archaeological dig as a teenager and got ignored, that isn't there to tell us how Indy got a whip, it is there to establish the dynamic between him and his father. It is premise, so that the story has foundation to move forward.