Except those were one-off tribute episodes. Had Berman set a show primarily in the 2260s I highly doubt he would have settled with sticking to the original set designs without some kind of alteration to make them look futuristic (which they no longer look by now). You can easily get away with Scotty revisiting his old bridge for a few minutes, but not throughout an entire show. The sooner fans realize that an accept it, the less aggravated they are.clearspira wrote: ↑Tue Jan 08, 2019 10:30 pmAnd I agree believe it or not. However my argument is very simple: there are such things as sacred cows and the original Enterprise is one of them. Note how TNG, DS9 and ENT when they showed this ship gave it to us in its full cardboard glory because I am guessing that even Berman and Braga realised this. Whatever their intentions are with showing this ship (and I am quite sure it is fanservice) it is going to backfire horribly.Makeshift Python wrote: ↑Tue Jan 08, 2019 9:55 pm One of the things I was glad about Chuck's reviews was him not giving a shit about the change in aesthetics, opting to focus more on the story and its characters. Chuck understands it's not 1966 anymore and that the old sets would not sell for modern audiences for a longrunning show.
Funny thing is I remember fans complaining that the NX-01 looked too advanced in spite of the efforts made by the filmmakers, because it featured LCD displays and such.And on the subject of aesthetics, this is where ENT got it right as there is a design lineage on the NX-01 bridge. There is T'Pol's view scanner, the viewscreen that is actually a viewscreen, Hoshi's earpiece, the touchscreens with TOS style flashing lights. There are ways to do it with a dash of love and effort to update a show and keep lore consistent. Or even better, sidestep the whole problem and set it in the 25th century because none of these conversations would now be happening as we would be expecting Discovery to look advanced. By far STDs greatest own kick to the balls was trying to fit this radically different looking ship into a period of Trek history where it does not belong.
When the makers talk about this being set in Prime universe, they're talking about events more than they are about aesthetics. Once fans accept that, less aggravation. If not, there's always the fan films that stays dedicated to the old aesthetics.