Equestria Girls - Valentines Day
Posted: Fri Feb 14, 2020 8:04 pm
I was not expecting SF to do a look (or, more accurately, for someone to pay SF to take a look) at Equestria Girls, especially not so soon after his last MLP review earlier this week. I suppose it does make sense seeing as it was (supposedly) the popularity of Sunset Shimmer (following her much better showing in Rainbow Rocks) may have helped shaped the idea of introducing Starlight Glimmer into the show as a regular.
I really enjoyed the review. The best jokes are the reference to Joe Biden’s “dog-faced pony soldier comment” and the “pen is” spellcheck comment.
I saw Equestria Girls in theaters when it first came out, having been a fan of Friendship is Magic since its first season. I admit: I had the same sentiment that a lot of folks did at the time—that this was a cynical attempt to cash in on the Monster High toys and their relative popularity, sell some new toys, etc. But that could just as easily be said of the 2010 relaunch of MLP as Friendship is Magic too. Just because something is made to sell toys or merchandise (and let’s be honest, everything in a capitalist society is geared towards making money) doesn’t mean it can’t have quality and talent behind it.
So I watched Equestria Girls and … it was okay. Thorough-goingly average, I thought. Not bad, but not great. The pacing was not great, especially when it came to the climax, as SF pointed out, and Pinkie’s rushed, forced explanation I thought was a terrible writing decision. The high school setting felt like it restricted more options than opened up new ones so I fully get the dislike for it—but there’s still quality here that can be built up and explored in later works, and it did.
Equestria Girls’ full-length features seemed to follow the Star Trek odd-even rule of quality (I can’t go with SF’s song-based rubric since all of these have songs in them).
Equestria Girls – See above: so average it’s okay. Or so okay it’s average. Either/or.
Rainbow Rocks – the best one, a glorious rock opera that really gets one invested in Sunset Shimmer, making her a much beloved character among fans despite first appearing as a really basic, boring villain.
Friendship Games – A bit of a step back from the last one, it was hard to be invested as this emphasized more ‘high school’ stakes for the most part. I also just didn’t care much about SciTwi and really was not that invested in what was going on with her.
Legend of Everfree – This got me more invested in Sci-Twi, much like it was Rainbow Rocks that sold me on Sunset Shimmer. Not as good as Rainbow Rocks, but still quite good.
The Specials and innumerable shorts and Choose Your Own Adventures are a mixed-bag, some really good (Sunset’s Backstage Pass) and a few that are bad (I outright loathe the last segment in Holidays Unwrapped) with the others being in the middle.
While there’s still a considerable segment of the MLP fandom that refuses to even acknowledge the existence of Equestria Girls, I can tell you that some friends of mine actually found themselves preferring later Equestria Girls productions (namely Rainbow Rocks) to the actual show after Season 5 when the show’s quality began to suffer.
Speaking of that, I wanted to really echo what Chuck said in closing about the connection one develops through fandom and his spider-sense comment. I’ve noticed a different appreciation or outlook on a show can be influenced in a large measure by when and how you started watching.
As I mentioned, I started watching while the first season was still on the air, around the spring of 2011. A lot of my friends, who also started watching in Seasons 1-2, have a different appreciation for what makes for good episodes and seasons as opposed to others. For us (and, it must be admitted, a considerable portion of the fandom) Season 6 was the worst season. Even Executive Producer Big Jim Miller when listing off his favorite season, listed pretty much all the ones he was working on, from Seasons 2 to 9, with the noticeable and obvious exception of Season 6 (and S3).
But when I went to BronyCon and was casually chatting with a fan on a line, he said he started watching the show with Season 5 and he thought Seasons 5 and 6 were the best ones. For my part, Season 5 was the best and Season 6 the worst, so I found it difficult to square that idea.
Then I thought back to other shows I started watching late and coming away with a different impression then longtime fans. I got into Doctor Who during David Tennant’s run and one of the first episodes I saw—one of the episodes that got me to start watching the series regularly as fan—was “Daleks Take Manhattan.” Yes, the one with the pig-men, and the DNA traveling through lightning and Dalek-human hybrids. Yes, the one that is widely hated by most Doctor Who fans. While I can now intellectually recognize many of that episode’s shortcomings, having seen more of Doctor Who since then, I still never quite shared the same disgust or loathing the episode received as compared to others. By the same token, being first introduced to Tennant, I was always a bit lukewarm on Christopher Eccleston’s run when I want back to watch it, and never warmed up to Rose as the Doctor’s one true love or whatever that was about.
Likewise, back before Channel Awesome became a toxic cesspool, the first Nostalgia Critic video I ever saw, one that I thought was so funny and made me start regularly watching him? It was his Let’s Play of Bart’s Nightmare. The video that was widely regarded as one of his worst, one that even he admits is a stinker and in his very next episode, joking repeatedly about how bad it went over. But I thought it was really hilarious and made me start watching him regularly, never having seen anything like it before. While he’s clearly done better videos and I can now see the shortcomings, I never got onboard with level of hate that one received. And it was through that video that I started watching the NC. And through the crossovers he did with Linkara, I started watching Linkara. And because of Linkara’s constant praise for SF Debris (and his cameo in Linkara’s 200th episode) here I am watching SF Debris and Linkara, long past the point where I stopped watching the NC.
At another pony convention, I was in a room with around two dozen other fans and we went around introducing ourselves and the first episode of MLP we saw. One person said their first episode was “The Mysterious Mare Do Well.” There was an instantaneous and collective wince and shudder from everyone else in the room, like the kind you’d get if you announced your birthday was on September 11. Now, as Stan Lee once said, every comic is someone’s first—but still that is the common reaction to that episode.
Having said that, this is not me being some gatekeeping asshole and going “because I watched the show from the beginning, ergo I must know best and the views of anyone who came in later don’t count because they don’t know any better.” That’s nonsense.
One’s tastes are shaped and informed by when and how you got into a series. It’s a very different feeling to watch something from the beginning and wait to watch each new episode as it comes out, week by week, season by season; as opposed to jumping on in the middle and binge watching older episodes en masse to catch-up. I’m not saying it’s better or worse, just that it’s different and leaves, in my experience, to different appreciations for the series.
I really enjoyed the review. The best jokes are the reference to Joe Biden’s “dog-faced pony soldier comment” and the “pen is” spellcheck comment.
I saw Equestria Girls in theaters when it first came out, having been a fan of Friendship is Magic since its first season. I admit: I had the same sentiment that a lot of folks did at the time—that this was a cynical attempt to cash in on the Monster High toys and their relative popularity, sell some new toys, etc. But that could just as easily be said of the 2010 relaunch of MLP as Friendship is Magic too. Just because something is made to sell toys or merchandise (and let’s be honest, everything in a capitalist society is geared towards making money) doesn’t mean it can’t have quality and talent behind it.
So I watched Equestria Girls and … it was okay. Thorough-goingly average, I thought. Not bad, but not great. The pacing was not great, especially when it came to the climax, as SF pointed out, and Pinkie’s rushed, forced explanation I thought was a terrible writing decision. The high school setting felt like it restricted more options than opened up new ones so I fully get the dislike for it—but there’s still quality here that can be built up and explored in later works, and it did.
Equestria Girls’ full-length features seemed to follow the Star Trek odd-even rule of quality (I can’t go with SF’s song-based rubric since all of these have songs in them).
Equestria Girls – See above: so average it’s okay. Or so okay it’s average. Either/or.
Rainbow Rocks – the best one, a glorious rock opera that really gets one invested in Sunset Shimmer, making her a much beloved character among fans despite first appearing as a really basic, boring villain.
Friendship Games – A bit of a step back from the last one, it was hard to be invested as this emphasized more ‘high school’ stakes for the most part. I also just didn’t care much about SciTwi and really was not that invested in what was going on with her.
Legend of Everfree – This got me more invested in Sci-Twi, much like it was Rainbow Rocks that sold me on Sunset Shimmer. Not as good as Rainbow Rocks, but still quite good.
The Specials and innumerable shorts and Choose Your Own Adventures are a mixed-bag, some really good (Sunset’s Backstage Pass) and a few that are bad (I outright loathe the last segment in Holidays Unwrapped) with the others being in the middle.
While there’s still a considerable segment of the MLP fandom that refuses to even acknowledge the existence of Equestria Girls, I can tell you that some friends of mine actually found themselves preferring later Equestria Girls productions (namely Rainbow Rocks) to the actual show after Season 5 when the show’s quality began to suffer.
Speaking of that, I wanted to really echo what Chuck said in closing about the connection one develops through fandom and his spider-sense comment. I’ve noticed a different appreciation or outlook on a show can be influenced in a large measure by when and how you started watching.
As I mentioned, I started watching while the first season was still on the air, around the spring of 2011. A lot of my friends, who also started watching in Seasons 1-2, have a different appreciation for what makes for good episodes and seasons as opposed to others. For us (and, it must be admitted, a considerable portion of the fandom) Season 6 was the worst season. Even Executive Producer Big Jim Miller when listing off his favorite season, listed pretty much all the ones he was working on, from Seasons 2 to 9, with the noticeable and obvious exception of Season 6 (and S3).
But when I went to BronyCon and was casually chatting with a fan on a line, he said he started watching the show with Season 5 and he thought Seasons 5 and 6 were the best ones. For my part, Season 5 was the best and Season 6 the worst, so I found it difficult to square that idea.
Then I thought back to other shows I started watching late and coming away with a different impression then longtime fans. I got into Doctor Who during David Tennant’s run and one of the first episodes I saw—one of the episodes that got me to start watching the series regularly as fan—was “Daleks Take Manhattan.” Yes, the one with the pig-men, and the DNA traveling through lightning and Dalek-human hybrids. Yes, the one that is widely hated by most Doctor Who fans. While I can now intellectually recognize many of that episode’s shortcomings, having seen more of Doctor Who since then, I still never quite shared the same disgust or loathing the episode received as compared to others. By the same token, being first introduced to Tennant, I was always a bit lukewarm on Christopher Eccleston’s run when I want back to watch it, and never warmed up to Rose as the Doctor’s one true love or whatever that was about.
Likewise, back before Channel Awesome became a toxic cesspool, the first Nostalgia Critic video I ever saw, one that I thought was so funny and made me start regularly watching him? It was his Let’s Play of Bart’s Nightmare. The video that was widely regarded as one of his worst, one that even he admits is a stinker and in his very next episode, joking repeatedly about how bad it went over. But I thought it was really hilarious and made me start watching him regularly, never having seen anything like it before. While he’s clearly done better videos and I can now see the shortcomings, I never got onboard with level of hate that one received. And it was through that video that I started watching the NC. And through the crossovers he did with Linkara, I started watching Linkara. And because of Linkara’s constant praise for SF Debris (and his cameo in Linkara’s 200th episode) here I am watching SF Debris and Linkara, long past the point where I stopped watching the NC.
At another pony convention, I was in a room with around two dozen other fans and we went around introducing ourselves and the first episode of MLP we saw. One person said their first episode was “The Mysterious Mare Do Well.” There was an instantaneous and collective wince and shudder from everyone else in the room, like the kind you’d get if you announced your birthday was on September 11. Now, as Stan Lee once said, every comic is someone’s first—but still that is the common reaction to that episode.
Having said that, this is not me being some gatekeeping asshole and going “because I watched the show from the beginning, ergo I must know best and the views of anyone who came in later don’t count because they don’t know any better.” That’s nonsense.
One’s tastes are shaped and informed by when and how you got into a series. It’s a very different feeling to watch something from the beginning and wait to watch each new episode as it comes out, week by week, season by season; as opposed to jumping on in the middle and binge watching older episodes en masse to catch-up. I’m not saying it’s better or worse, just that it’s different and leaves, in my experience, to different appreciations for the series.