Let's get down to brass tacks... (SJWs/influence in movies)
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
I mean, what you said about taking a real-life historical moment in the movies and using that to shoehorn in something politically correct from today... I've felt that. I've railed against it. So... you're preaching to the choir here.
"A culture's teachings - and more importantly, the nature of its people - achieve definition in conflict. They find themselves, or find themselves lacking."
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
Personally I don't care.
Mmaybe what Chiggy was saying about shoehorning time into a movie to draw attention to it. That's more of an aesthetic thing and is more generalized. Like I hate when the first episodes of a series have expository elements in the dialogue that solely provide information. Like you don't notice it at first, but when you watch it after the fact having watched the whole show, it sticks out. And it's not exactly subtle, for lack of a better word, when it's progressive measures.
Mmaybe what Chiggy was saying about shoehorning time into a movie to draw attention to it. That's more of an aesthetic thing and is more generalized. Like I hate when the first episodes of a series have expository elements in the dialogue that solely provide information. Like you don't notice it at first, but when you watch it after the fact having watched the whole show, it sticks out. And it's not exactly subtle, for lack of a better word, when it's progressive measures.
Last edited by BridgeConsoleMasher on Fri Jun 28, 2019 6:00 pm, edited 1 time in total.
..What mirror universe?
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
What I'm trying to say is that in really good fiction, every piece contributes to the whole in some way. Chekov's gun and all that. Sometimes it's done poorly, like with the clunky exposition that you mention. Ideally, the audience won't see the puppeteer moving the strings, and each scene will seamlessly accomplish more than one goal. Some stories just don't have a place to naturally acknowledge the plight of some neglected group or to try to pass the Bechdel test or whatever, and forcing it into a work just to check a box in some social justice checklist is a bad idea creatively. Of course the same principle applies to other gratuitous elements.
As you pointed out though, representation can be considered a different (albeit related) issue.
As you pointed out though, representation can be considered a different (albeit related) issue.
Generally speaking, Hollywood sucks at getting into the heads of characters from a different time and/or place, especially once it's far enough removed from their mindset. Getting into the head of a misogynistic guy from the 60s isn't a problem for them. If they attempt to accurately portray the values and motivations of a 14th century monk, they'll spectacularly fail more often than not. When you pay attention to these things, it gets pretty distracting to see that supposedly historical characters are thinking and acting exactly like modern Californians in costumes (which they are, of course). Political correctness is just another way that they fail at that.
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
And those highly praised "foreign art films" are no better sometimes. Neither are, obviously, books. Literature which we tend to regard as "more intellectually engaging" than anything put on screen, even if the content itself is rather trashy, because there is truth that hard work went into it, but then, that's true for making movies too. Can't help it if the final product sucks.
"A culture's teachings - and more importantly, the nature of its people - achieve definition in conflict. They find themselves, or find themselves lacking."
— Kreia, Knights of the Old Republic 2: The Sith Lords
— Kreia, Knights of the Old Republic 2: The Sith Lords
Re: Let's get down to brass tacks... (SJWs/influence in movies)
That issue has nothing to do with any of that "social justice" or "political correctness" or any other thing that you tend to blame on. Instead it's related to writers and actors not being able to get to that mind set because of how long ago those events were. It's something that could be easily be solved by them studying history and how people generally thought, talked and acted back then. So really it comes down to lazyness.ChiggyvonRichthofen wrote: ↑Fri Jun 28, 2019 2:32 pmGenerally speaking, Hollywood sucks at getting into the heads of characters from a different time and/or place, especially once it's far enough removed from their mindset. Getting into the head of a misogynistic guy from the 60s isn't a problem for them. If they attempt to accurately portray the values and motivations of a 14th century monk, they'll spectacularly fail more often than not. When you pay attention to these things, it gets pretty distracting to see that supposedly historical characters are thinking and acting exactly like modern Californians in costumes (which they are, of course). Political correctness is just another way that they fail at that.
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
I hate political correctness because when combined with revisionism it leads to a nasty combination of victim-blaming and myopic morality.
"A culture's teachings - and more importantly, the nature of its people - achieve definition in conflict. They find themselves, or find themselves lacking."
— Kreia, Knights of the Old Republic 2: The Sith Lords
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
I wasn't attributing the issue to political correctness per se, that's why I said "generally speaking." I do think political correctness can be a part of that problem, which is why I said "political correctness is just another way that they fail."Mecha82 wrote: ↑Fri Jun 28, 2019 5:15 pmThat issue has nothing to do with any of that "social justice" or "political correctness" or any other thing that you tend to blame on. Instead it's related to writers and actors not being able to get to that mind set because of how long ago those events were. It's something that could be easily be solved by them studying history and how people generally thought, talked and acted back then. So really it comes down to lazyness.ChiggyvonRichthofen wrote: ↑Fri Jun 28, 2019 2:32 pmGenerally speaking, Hollywood sucks at getting into the heads of characters from a different time and/or place, especially once it's far enough removed from their mindset. Getting into the head of a misogynistic guy from the 60s isn't a problem for them. If they attempt to accurately portray the values and motivations of a 14th century monk, they'll spectacularly fail more often than not. When you pay attention to these things, it gets pretty distracting to see that supposedly historical characters are thinking and acting exactly like modern Californians in costumes (which they are, of course). Political correctness is just another way that they fail at that.
We can see this when we see decidedly modern opinions coming out of the mouths of historical characters who would never actually hold them. Maybe political correctness isn't exactly the right term for that, it's more like whitewashing.
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
The actual term is "Presentism." Trying to apply values from today to a time long gone by.
"A culture's teachings - and more importantly, the nature of its people - achieve definition in conflict. They find themselves, or find themselves lacking."
— Kreia, Knights of the Old Republic 2: The Sith Lords
— Kreia, Knights of the Old Republic 2: The Sith Lords
Re: Let's get down to brass tacks... (SJWs/influence in movies)
Yeah, it's basically that. So pretty much result of incompetence.
"In the embrace of the great Nurgle, I am no longer afraid, for with His pestilential favour I have become that which I once most feared: Death.."
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Re: Let's get down to brass tacks... (SJWs/influence in movies)
Or biased agendas, on either side of the political spectrum. And honestly, sometimes it's hard to tell which one is worse.
"A culture's teachings - and more importantly, the nature of its people - achieve definition in conflict. They find themselves, or find themselves lacking."
— Kreia, Knights of the Old Republic 2: The Sith Lords
— Kreia, Knights of the Old Republic 2: The Sith Lords