"Go on..."Chuck wrote:A work like Star Trek shouldn't BE your life after all...
"Perfect."Chuck wrote:...It should make your life richer by being a part of it.
- Alec Peters
"Go on..."Chuck wrote:A work like Star Trek shouldn't BE your life after all...
"Perfect."Chuck wrote:...It should make your life richer by being a part of it.
Fianna wrote: ↑Sat Apr 04, 2020 5:30 pmCase in point.clearspira wrote: ↑Sat Apr 04, 2020 5:13 pm I also adore Zapp Brannigan. He is such an awesome piss take of William Shatner, Kirk and Star Trek that as a long time Trekkie I cannot help but love him. I think my fave Zapp joke of all time is the holobarn (an obvious piss-take of the holodeck) In which five seconds after it nearly kills the whole crew, Zapp announces that he is going off for some R&R in the holobarn with the blood and dirt of the whole mess still coating his face. It is such a great send up of just how nonsensical the holodeck truly is. The thing is an absolute death trap worthy of a horror movie that OSHA would have a field day with and yet it doesn't stop anyone in-universe giving ''The Adventures of Flotter'' to their kids.
https://sfdebris.com/videos/startrek/t169.php
I dunno, I think the danger of the holodeck helps to counteract something else about the holodeck that would otherwise not make sense: why don't people just live their whole lives in the holodeck?
Picard is in no way, shape or form even slightly grimdark. It's not even the darkest thing Trek itself has done.clearspira wrote: ↑Sat Apr 04, 2020 6:05 pmIf Covid-19 ends ''Picard'', every cloud and all that.CrypticMirror wrote: ↑Sat Apr 04, 2020 5:59 pm I don't really have much to say about this, other than I love it. Both Futurama and Chuck's view on it. Futurama was as much a love letter to Sci-fi as it was a parody of it. I think that was what was missing about Disenchanted, Groening's follow up series with an emphasis on fantasy, the love and deep appreciation of the genre that is needed for the comedy to work. Mind you, most modern fantasy works seem to lack that sense of warmth and fun for the genre too. Maybe, just maybe, us all being trapped indoors with this lockdown stuff then we'll all rediscover the need for upbeat fun and adventure too. Oh, it would be ironic if a global pandemic was the thing that ended grimdark seriousness, it really would. Yes I have been drink a lot today, why are people asking?
That certainly sounds like the definition of Discovery. Also you are ignoring that each franchise has its own baseline; by the standards of the Star Trek franchise, Discovery is very grimdark. And unwelcome with it. Even Deep Space Nine got too wrapped up in it by the end, and we should not be aiming for the lowest scoring of the TNG era shows as the baseline for passable. Deep Space Nine has aged increasingly badly as time goes on, especially with the pointless Dominion War, the new age hippie Bajoran religion stuff, and Section fucking Thirty One. Lets do better than Deep Space Nine and go back to the outright optimism. Star Trek Picard did manage to take some steps towards that in the back half of the season, admittedly, but they spent too much time wallowing in the doldrums before getting there. Picard ought to have been off Earth by the end of Ep One, and Seven ought to have genuinely been swayed by Picard instead of faking it for Murder One later. Picard, character and show, can do so much better.RobbyB1982 wrote: ↑Fri Apr 10, 2020 9:38 am
Grimdark needs ALL the characters to be amoral and grey. The violence and sense of hopelessness constant, having perpetuated for ages. Where nothing ever gets better for more than a few minutes at a time and life is meaningless.
I will disagree with you regarding Section 31 in that in DS9 they came across as being only a couple of guys who were being employed to do the really nasty stuff that no one else wanted to do. Kind of like the ''Special Circumstances'' division in Iain M Banks's ''The Culture''. They also raised what is an interesting question that I thank them for raising: how does one protect paradise in a dangerous universe once diplomacy and starships are no longer enough?CrypticMirror wrote: ↑Fri Apr 10, 2020 1:24 pmThat certainly sounds like the definition of Discovery. Also you are ignoring that each franchise has its own baseline; by the standards of the Star Trek franchise, Discovery is very grimdark. And unwelcome with it. Even Deep Space Nine got too wrapped up in it by the end, and we should not be aiming for the lowest scoring of the TNG era shows as the baseline for passable. Deep Space Nine has aged increasingly badly as time goes on, especially with the pointless Dominion War, the new age hippie Bajoran religion stuff, and Section fucking Thirty One. Lets do better than Deep Space Nine and go back to the outright optimism. Star Trek Picard did manage to take some steps towards that in the back half of the season, admittedly, but they spent too much time wallowing in the doldrums before getting there. Picard ought to have been off Earth by the end of Ep One, and Seven ought to have genuinely been swayed by Picard instead of faking it for Murder One later. Picard, character and show, can do so much better.RobbyB1982 wrote: ↑Fri Apr 10, 2020 9:38 am
Grimdark needs ALL the characters to be amoral and grey. The violence and sense of hopelessness constant, having perpetuated for ages. Where nothing ever gets better for more than a few minutes at a time and life is meaningless.
Disecovery is a lot closer to grimdark than Picard, to be sure. But it also has characters like Tilly who are full of optimism and continuously proven right. Soru is optimistic and hopeful and his people are saved and become better, and swear to embrace peace rather than murder with their newfound forms. Everything with Pike is optimistic, including him doing the greater good even though he knows the eventual fate it will lead him to. Characters have arguments and fall apart and then realize they love each other and get back together. Michael is taken in by foster parents and treated as one of their ow because its the right thing to do... she isn't sold into child prostitution.CrypticMirror wrote: ↑Fri Apr 10, 2020 1:24 pm That certainly sounds like the definition of Discovery. Also you are ignoring that each franchise has its own baseline; by the standards of the Star Trek franchise, Discovery is very grimdark.
DS9 is the best Trek overall series with the strongest developed world and character development, with the most nuanced character. It may not be your thing, and it may overall not be as good as peak season 3-4 TNG, but its certainly overall better than much of what Trek has offered.Even Deep Space Nine got too wrapped up in it by the end, and we should not be aiming for the lowest scoring of the TNG era shows as the baseline for passable