Beastro wrote: ↑Fri Aug 24, 2018 6:26 am
Robovski wrote: ↑Fri Aug 24, 2018 12:32 am
I never hated Enterprise either - it was slow starting and a lot of the first two seasons were not great but I was willing to wait for improvements to be made, then 9/11 happened and I felt the show was making a cringy response which didn't improve well into the season. Then Season 4 came and it was GOOD (and basically pre-cancelled). I mean if you want bad, we have Star Trek: Insurrection to point at.
There's something worse than hate for a work to bring out in people, indifference.
That's what Enterprise did, but again, I felt that more in early Voyager than anger or hate.
I feel like this could apply, at least to some degree, to almost everything in the franchise post-DS9. I've actually been pretty surprised that casual audiences seem to remember Trek '09 fondly and fairly well, since it comes across to me as a fairly generic movie in a lot of ways.
Into Darkness is the same, but worse, and
Beyond I enjoyed a lot but isn't really the most remarkable movie either.
For both Voyager and Enterprise (and Discovery so far), I don't know if there's a single episode from either series that I would label as "iconic." TOS, TNG, and DS9 all have episodes that could easily be recalled years after watching. The closest Voyager and Enterprise get to that are their worst episodes, and even those episodes aren't iconic like Spock's Brain. As great as DS9 was, even it wasn't on the "cutting edge" with B5 around. Part of the issue is that the rest of televised sci-fi caught up and Trek lost some popularity in its televised format, but part of it is simply that Trek ceased being memorable or distinctive, let alone great, television.
To put it more shortly, we have already seen a glut of producers and showrunners either explicitly state or implicitly show the influence of BSG on sci-fi. Both DS9 and B5 deserved more recognition, but people in the know understand how good those shows were. But Voyager and Enterprise? I don't see anyone ever coming out and crediting those shows as serious influences on their own work.
The owls are not what they seem.