Traditional Comic books are dying

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clearspira
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Re: Traditional Comic books are dying

Post by clearspira »

CmdrKing wrote: Mon Aug 12, 2019 9:19 pm The interesting thing about Harle and Pam is the very not-subtle indication that being together makes them substantially better people. Still amoral and selfish with occasional bouts of villainy, but not "someone who will start a'killin' as soon as they're not in Arkham" supervillains.
I mean the foundation for both characters involves a toxic relation to men: Poison Ivy's biggest crimes usually start with her manipulating and controlling men to further her ends, and before the Joker Harle was an everyday cheat at her worst, not a time bomb of crazy waiting to happen.

I certainly dispute the assertion there hasn't been a gay lead in the Marvel movies, but sure, they could actually come out and say it instead of reading like the "censored for Chinese markets" version of the movie.
The comics... they've done approximately *one* full blown gay character where it was someone with name value that people knew and cared about (Bobby Drake/Iceman), and I just had to check to make sure they hadn't retconned or killed him since then. I mean, Loki exists, but since their last solo comic ended they've stuck consistently to masculine presentation which kills the fun of actually playing up Loki's mythological queerness. There's a goodly number of supporting characters in some quirkier books (Koi Boi is trans for instance) but they're also the sort of characters that'll just... stop existing once those books end their run.
Its interesting you bring up Iceman because that is a perfect example of how not to do a gay character: take a character who was straight for sixty years, who has had relationships with women, who has openly talked sexually about women, who we can actively see their thoughts through bubbles and narrator text as having never thought that way about men at all - and have him turn out to be gay after Jean Grey looked into his mind and outed him (which led to many readers genuinely and in my opinion to reasonably believe that she had ''reprogrammed'' him in some way).

And if that wasn't bad enough, Marvel decided to completely rewrite his character from then on. He wasn't ''bisexual Bobby'' which would have neatly explained everything I pointed out in the previous paragraph, nor was he ''the Bobby we've always known who just happens to like guys now'', he was ''flaming Bobby'' whose whole character was now ''he's gay''. Seriously, every story from then on was ''Iceman's first gay crush'' or ''Iceman's first gay date'' or ''Iceman's first gay vacation''. They essentially took an established, beloved character and completely changed his personality. Do not believe anyone who tells you that his series got cancelled through homophobia; it got cancelled because no one was reading it because it was crap.

As a side point ''forgetting that bisexuals exist'' is a real common problem. I will never forget what Whedon did to Willow in Buffy the Vampire Slayer, who went from a girl with several confirmed crushes on men and at least two boyfriends, to someone who was such a hardcore lesbian that when under the influence of a jacket worn by a guy that made him irresistible to women, her first act was to try and find a spell to swap his sex. In hindsight, that show was nowhere near as LGBT friendly as presented at the time.
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Mecha82
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Re: Traditional Comic books are dying

Post by Mecha82 »

I wouldn't rule out Jean Grey tampering with his brain since in some cartoon there was her having switched Peter Parker's and Logan's minds to each other's bodies.

That is interesting note how it's real common problem that they seem to forget and ignore bi exist and are thing so that character is either straight or gay without showing that bi is also thing. It's almost like there is this "either or" way of thinking. Only possible (not very good) reason that I can think that they might have is that extremes are easier to show than something that is in-between since being subtle isn't common in comic books, movies and TV. But that is just speculation from my part.
Last edited by Mecha82 on Wed Aug 14, 2019 12:10 am, edited 1 time in total.
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ProfessorDetective
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Re: Traditional Comic books are dying

Post by ProfessorDetective »

clearspira wrote: Tue Aug 13, 2019 10:06 pm
CmdrKing wrote: Mon Aug 12, 2019 9:19 pm The interesting thing about Harle and Pam is the very not-subtle indication that being together makes them substantially better people. Still amoral and selfish with occasional bouts of villainy, but not "someone who will start a'killin' as soon as they're not in Arkham" supervillains.
I mean the foundation for both characters involves a toxic relation to men: Poison Ivy's biggest crimes usually start with her manipulating and controlling men to further her ends, and before the Joker Harle was an everyday cheat at her worst, not a time bomb of crazy waiting to happen.

I certainly dispute the assertion there hasn't been a gay lead in the Marvel movies, but sure, they could actually come out and say it instead of reading like the "censored for Chinese markets" version of the movie.
The comics... they've done approximately *one* full blown gay character where it was someone with name value that people knew and cared about (Bobby Drake/Iceman), and I just had to check to make sure they hadn't retconned or killed him since then. I mean, Loki exists, but since their last solo comic ended they've stuck consistently to masculine presentation which kills the fun of actually playing up Loki's mythological queerness. There's a goodly number of supporting characters in some quirkier books (Koi Boi is trans for instance) but they're also the sort of characters that'll just... stop existing once those books end their run.
Its interesting you bring up Iceman because that is a perfect example of how not to do a gay character: take a character who was straight for sixty years, who has had relationships with women, who has openly talked sexually about women, who we can actively see their thoughts through bubbles and narrator text as having never thought that way about men at all - and have him turn out to be gay after Jean Grey looked into his mind and outed him (which led to many readers genuinely and in my opinion to reasonably believe that she had ''reprogrammed'' him in some way).

And if that wasn't bad enough, Marvel decided to completely rewrite his character from then on. He wasn't ''bisexual Bobby'' which would have neatly explained everything I pointed out in the previous paragraph, nor was he ''the Bobby we've always known who just happens to like guys now'', he was ''flaming Bobby'' whose whole character was now ''he's gay''. Seriously, every story from then on was ''Iceman's first gay crush'' or ''Iceman's first gay date'' or ''Iceman's first gay vacation''. They essentially took an established, beloved character and completely changed his personality. Do not believe anyone who tells you that his series got cancelled through homophobia; it got cancelled because no one was reading it because it was crap.

As a side point ''forgetting that bisexuals exist'' is a real common problem. I will never forget what Whedon did to Willow in Buffy the Vampire Slayer, who went from a girl with several confirmed crushes on men and at least two boyfriends, to someone who was such a hardcore lesbian that when under the influence of a jacket worn by a guy that made him irresistible to women, her first act was to try and find a spell to swap his sex. In hindsight, that show was nowhere near as LGBT friendly as presented at the time.
Or pansexuals... or asexuals... or, usually, trans folks... Okay, does literally EVERY aspect of human existence HAVE to be boiled down to black or white diametric opposites?! Black/white, male/female, hetero/homo, Repub/Demo, east/west, cats/dogs, hamburgers/pizza, Wars/Trek, DC/Marvel...! Seriously! I know us hairless apes like our categories, but DAMN!
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Re: Traditional Comic books are dying

Post by GreyICE »

Bobby Drake being gay is actually a good choice - kind of. There's no question that Claremont intended for there to be gay characters in the XMen, only strict editorial meddling prevented it from happening. The Legacy Virus was an expy for AIDS, and many of Claremont's choices for the XMen show that it not only paralleled the black civil rights struggles of the 60s, but also the LGBT civil rights struggles of the 80s and 90s - something that brought him into conflict with Marvel's editorial board time and again. And it wouldn't be entirely unexpected for Bobby to be gay. Bobby's run of relationships has been a whole lot of casual, brief relationships that never really went anywhere - about what you'd expect of a gay man in denial. Furthermore a big theme of his powers is how much he's holding back. He's an Omega level mutant who often gets taken down by midlevel threats, and when Emma Frost possessed him she was able to access powers far beyond what he showed in only a brief time, showing just how hard he was struggling to deny and suppress his power. So, Bobby Drake is a man deeply in denial because he wants to be "one of the guys", wants to fit in, wants to belong. This has been his character for a long, long time.

Handled well, it could have been a deep, touching, and interesting storyline where Bobby explores why he represses his power, why he holds so much of himself back, and who he really is. It could have ended with him accepting that it's okay to be different, okay if people are scared sometimes, that he doesn't have to be "that fun blonde guy who throws snowballs, flirts with the girls, and is there for fun times." That it's okay to grow up, even if it scares some people - even if it scares him. I would even say in the right hands it could have been one of the defining arcs of the XMen, taking Bobby from a C-lister and the also-ran of the original X-Men team into something more.

So of course it was written in the clumsiest, stupidest, most hamfisted manner possible. Because Marvel has no good writers left. Decades of abuse in a profession that pays poorly, is far from glamorous, and is full of internal strife has left most writers fucking hating the big 2, and on top of that you have Mouse meddling - and Marvel is so bad that the Mouse's meddling might have actually improved things (and I never say that).

Wasted opportunity is Marvel's stock in trade.
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Beelzquill
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Re: Traditional Comic books are dying

Post by Beelzquill »

You know on the topic of Jean's outing of Bobby, did she get seriously called out on that at all? That is disgusting, to pry into someone's brain and dig into their deepest darkest secrets and decide to talk about it even though you know they have never brought it up, don't want to bring it up, and it's not pertinent to your situation. I swear telepaths in media are portrayed way too positively with the amount of times crap like this happens. I mean I think in X-Men it's mostly Professor X and Emma Frost who do it but this Jean episode really bothered when I read it.
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Re: Traditional Comic books are dying

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Beelzquill wrote: Wed Aug 14, 2019 2:44 am You know on the topic of Jean's outing of Bobby, did she get seriously called out on that at all? That is disgusting, to pry into someone's brain and dig into their deepest darkest secrets and decide to talk about it even though you know they have never brought it up, don't want to bring it up, and it's not pertinent to your situation. I swear telepaths in media are portrayed way too positively with the amount of times crap like this happens. I mean I think in X-Men it's mostly Professor X and Emma Frost who do it but this Jean episode really bothered when I read it.
I mean, this was the same Marvel that let Ms. Marvel (later Captain) get brainwashed, sexually assaulted, and kidnapped TWICE by a guy from the limbo dimension and had the Avengers do nothing but coo at how romantic it all was... for the 200th Issue of The Avengers!

Of course, this was the eighties, so it took a while for the fan outcry to build up, but Claremont eventually got to bring her back... just to tell the Avengers off for being insane idiots, regale the tale of her killing the limbo guy, and then have her effectively disown the team and join the X-Men as their token nonpowered member (Rouge had taken her powers, long story).

As you can tell, Claremont wasn't happy about Carol's raw deal. Linkara did a review if you want the full story:


youtu.be/IIaUi4DDui4

I don't know about Jean and Iceman, but... I'm assuming she got off mostly scott free.
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Re: Traditional Comic books are dying

Post by GreyICE »

Claremont spent most of his run at Marvel calling them out on their bullshit and doing his best to ignore every idiotic editorial decree he could find. He made a black woman the leader of the XMen, gave her a Mohawk, and made it clear she kicked ass (and it wasn't some "two issue" thing, oh no, Storm spent years and years as the leader until he eventually left the title). He pushed every line he could on the editorial decree against gay characters, wrote interesting comics, and flagrantly called out their total horseshit.

If he hadn't written their best-selling comic book that dwarfed their other properties and pushed sales of merchandise, comics, and even a fucking TV show, he wouldn't have made it 16 months, nevermind 16 years.
Beelzquill wrote: Wed Aug 14, 2019 2:44 am You know on the topic of Jean's outing of Bobby, did she get seriously called out on that at all? That is disgusting, to pry into someone's brain and dig into their deepest darkest secrets and decide to talk about it even though you know they have never brought it up, don't want to bring it up, and it's not pertinent to your situation. I swear telepaths in media are portrayed way too positively with the amount of times crap like this happens. I mean I think in X-Men it's mostly Professor X and Emma Frost who do it but this Jean episode really bothered when I read it.
No, because Jean is the Mary Sue of the Marvel universe, and no matter how many fucking people she kills, no matter how many people she mind rapes, no matter how many people she fucks with, fucks over, kills, or generally dicks around with no one will suggest anything other than Jean Grey is fucking perfect. Every one of the original X-Men was in love with her, even Professor X (no I'm not joking).

It's really no surprise that Claremont chose to power her up, show that power corrupts, and show her making a noble sacrifice (in what is probably the X-Men's most famous story line). She's always been a turd of a character.
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