With me, I just can't really see past the production nuance, if that makes any sense. It's a distinction I've noticed a bit that has it's own thing with contemporary/modern television.Link8909 wrote: ↑Thu Nov 26, 2020 12:32 pmI sort of see what you mean, while The Original Series did have nuanced episodes that still hold up today, The Wrath of Khan's overall dark and melancholy tone serves the themes of the film, while the series's general 60's Sci-fi vibe could lead people to gloss over those nuanced episodes.BridgeConsoleMasher wrote: ↑Wed Nov 25, 2020 7:42 pm I do love how this was the first truly nuanced piece of Star Trek that came about.
While The Motion Picture is certainly revamped to visual detail while we even get set pieces of Starfleet administration along with a much more industrious work force on the ship, the story does run pretty similar to TOS in terms of conversation directive and tone. There we learn more about characters through how they handle the mission, but in Wrath of Khan there is a lot of compartmentalizing for the expositional set pieces, like Kirk and Bones or Spock and Saavik at the start.
Feels like a possible distinction of Roddenberry's approach. Certainly fits the bill for seasons 1 and 2 of TNG.