Of course without making this a subs VS dubs debate, because there is no way to get at a generalized answer over which is better, Nanoha's English dub is pretty universally agreed upon as inferior to the original. Its not just the voice acting that is better-- after all, this is the show that got both Nana Mizuki and Yuki Tamara into the voice acting business-- but there are those adaptation choices that weren't in the original because of course they weren't, this is an industry that used to try to pass off rice balls as jelly filled donuts or airbrush a gun out of a character's hand yet still have the scene play out like they were holding someone at gunpoint! Just to name two famous examples of bad adaptation choices. Hell, IIRC they didn't even manage to air Cardcaptor Sakura's episodes in the correct order back in the day, leaving audiences confused as hell.Yukaphile wrote: ↑Sun Sep 01, 2019 8:54 am While we're on the subject of Nanoha, when my best friend first introduced me to it in 2012, I was very disturbed how the TSAB functions kind of like... ONI on steroids. Chrono basically admits that in the TSAB system, they have no qualms with locking nine-year-old girls up for hundreds of years... treating underage kids like full-blown adults. It's really questionable. It also feels like they were manipulating her to try and join. Fate gets probation, a minor, an extreme minor, while... Admiral Graham just "resigns." The TSAB just struck me as very corrupt and set in their ways, and it bothered me, right up until 2013 where I learned about the dub change line to Arf in Episode 5, and then that drew my criticism more, and still does, lol.
As for the issue with Gil Grayham... well, the movie completely removed the character from the story, for better and for worse. Really, starting with Nanoha Vivid and the movies, it seems like the writer and producers tried making the TSAB feel more and more like Starfleet and less like your typical Japanese government bureaucracy, both because most people got that vibe from them in seasons 1 and 2, and because there was a backlash against adding more corruption in season 3 and the Force manga that is currently on indefinite hiatus. In Vivid, its clear that the average kid is actually treated like a kid even if they are a mage, and that most kids can't actually become involved with the organization until at least the age of 15 barring special circumstances. That's still young, but its no younger than Chrono is in season 1. Nanoha and a certain season 2 character were probably allowed to do as much as they did because they were both powerful, and good local contacts on a planet with few mages but lots of magical incidents. Fate and Nanoha for one seem insistent on making sure Vivio's childhood will be a lot more normal than their own.
Clearly Nanoha doesn't respond to Arf's threats because badassery runs in the family. More seriously, at that point in the story she's already faced deadly threats, some of which actually did try to eat her, and she fought them off sucessfully. Nothing instills confidence better than knowing for a fact that you are a badass.Exactly. Don't behave their age. Nanoha doesn't look afraid by Arf's murder threat (when that's like one of childhood's greatest fears, probably a primal instinctive holdover from our tribal days), and the TSAB wants to lock up kids under ten for hundreds of years. It's horrifying. I can see why in some material like BetrayerS they painted the TSAB as a corrupt force. I always felt that way.
I don't know if the movie retained the mention of the specific prison sentence (it could have been cut for time and relevance), but two things. First, we see how dangerous the Jewel Seeds are, and there are absolutely real world governments that would prosecute a child as an adult under certain circumstances. Secondly, for the most part the crew of Arthra actually come off as very chill and friendly, and quick to side with Fate when they learn why she acts. You know who doesn't come off that way? Chrono. He's the one who brings up the penalties Fate and her mother could face, he's the one who talks about how serious the situation with the Jewel Seeds is, and he even implies that Nanoha and Yuuno's actions could potentially get them in trouble. Then Lindy, his mother and superior officer, promptly tells Nanoha and Yuuno to not worry about it and even invites them to continue aiding their efforts, much to Chrono's chagrin.
I think your impression of the TSAB (at least in season 1) is largely coming from him, and its not supposed to be indicative of the normal attitudes of Bureau members. From my understanding, he and Lindy are supposed to form a comedy bit together, and most westerners don't get it not only because its an unfamiliar bit, but also because LIndy is supposed to be seen as eccentric, but breaks norms we aren't familiar with. I was certainly confused when I first saw Nanoha gasp at how Lindy drinks tea. Apparently you aren't supposed to add sugar or creamer to green tea in Japan, but how would an American know that? Or worse, a Brit? The point of the joke is that she's a weeabo trying too hard to pass herself off as Japanese, and failing. That's why in the movies, they add a metric crap-ton more Japanese kitsch to her office just to make the point clear that no one who was genuinely born in Japan would collect all this stuff. Anyway, Chrono is supposed to be her straight man, but like all things in Japanese comedy, they take it to an extreme. Whereas he broods like Batman and uses overt intimidation to get people to take him seriously (whether because of his age, or because its in his job description), she's the ultimate authority figure on the ship and doesn't need to resort to that kind of behavior. She just needs to remind them that her title is Admiral Harlowan, and they toe the line. A boss in Japan can get away with a bit of eccentricity so long as they get jobs done effectively. Or at least, that's the premise of the comedy bit.
And even then, even with Chrono being contractually obligated to act like a dick for the sake of a comedy routine, at the end of the story its quite clear that not even he really wants to see Fate suffer the consequences of her mother's crimes; which is confirmed in season 2 when he acts as Fate's legal counsel.
Its like Gundam with its multiple timelines, but since not everyone will be familiar with the concept, think instead of Star Trek and the Kelvin timeline. Its like that, but there is no time travel justification explaining why there are multiple timelines. There just are. There is some weirdness people will often bring up (and did in this thread IIRC) about the first two movies being in-universe movies, but its never relevant and they make it clear that despite this, the movies are their own timeline that has crossed over with the video game timeline on one occasion (although whether this is canonical to the movie timeline is debatable given the events of movie 3 and 4).So is the movie more canon?
So... you want people to think of you as petty, and deliberately taint the perception of the Yuuno/Nanoha ship more than it already is?I do know in the movie, Yuuno was shoved to the side. The poor bastard. Me and my friend are planning a MEGA-CROSSOVER, shoving every series we know of into it, and one thing we intend to do is show off the fandom's dream of NanoFate as a couple, and they are EVIL. They kidnapped their world's Yuuno and tortured him, and the protagonist Fate and Nanoha find him, and unleash hell on them.
What is it with fans of Yuuno/Nanoha that they can't seem to advocate their ship without acting like dicks? Because that seems like the real reason no one likes the Yuuno/Nanoha ship. That, and its cliche for anime of the time Nanoha came out even remembering that Nanoha and Yuuno are just 9 years old. You really have to stop and realize how novel it was at the time for the main character to end up in a completely understated, realistic lesbian relationship in 2007 when season 3 came out and we saw Nanoha and Fate sleeping in the same bed together. Hell, as The Legend of Korra shows, you still can't show that kind of thing on American television, apparently.
Let people have their fun, and they will let you have yours.